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I
began
making
books
in
hand-printed
limited
editions
in
London
in
1974.
The
handmade
book
form
was
an
ideal
way
to
bring
all
my
interests
together:
painting,
printmaking,
writing,
building.
NdA
Press
is
a press
only
in
the
broadest
sense
of
the
word
since
the
only
printing
equipment
I have
is
an
etching
press
and
the
artist's
books
I make
are
either
in
small
editions
or
consist
of
just
one
copy.Texts
are
either
my
own
or
extracts
from
authors
I know
or
am
inspired
by.
And
sometimes
there
are
no
words.
From
reviews
of
NdA's
Artist's
Books:
one
of
the
most
creative
bookmakers
of
our
time.
Decherd
Turner,
former
Director
Bridwell
Library,
Dallas,
and
Humanities
Research
Center,
Austin.
Texas.
throughout
her
books
there
is
a brilliance
which
she
radiates
in
a play
of
imagery
filled
with
grace
and
intelligence.
Paul
Peter
Piech
in
IDEA.
books
which
are
meant
to
be
touched
and
enjoyed;
not
to
languish
on
bookshelves
but
to
rest
on
altar-like
tables...providing
a visual
and
textual
meditation
for
each
day.
James
Roose-Evans
in
RESURGENCE.
books
of
striking
originality.
Her
art,
often
witty
in
its
philosophy,
alive
in
colour
and
texture,
arrives
at
published
form
after
much
entertaining
experiment.
I know
nobody
who
has
thus
combined
art
and
idea
with
such
force
and
originality.
Colin
Franklin
in
FINE
PRINT.
she
is
among
our
most
committed
book
artists,
producing
an
accumulation
of
work
that
is
highly
individual
and
yet
consistent
within
its
own
context...
Her
most
recent
books
reach
out
to
the
territory
which
she
has
made
recognisably
her
own,
amalgamating
theology,
ancient
history
and
20th
century
autobiography
into
a highly
individual,
strong
voice.
Cathy
Courtney
in
FACING
THE
PAGE
and
ART
MONTHLY.
her
work
amply
illustrates
the
basic
process
for
achieving
self-knowledge,
the
creative
imagination...
Jan
van
der
Wateren,
Curator,
National
Art
Library
of
the
Victoria
&
Albert
Museum,
London.
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