CONSIDERING
THE MEANING
My intention initially was
to produce a series of numbered and signed but unlimited editions in the same
small format. Somehow I didn't get further than making a
few copies of these first two topics, so I suppose
they are limited editions after all.
CONSIDERING THE MEANING
OF PYRAMIDS
1994. 11 x 16.5 cm
Etching and drypoint on Arches with coloured cotton threaded continuously through the double spreads creating pop-up linear designs which pull taut when the pages are opened. The five double sheets are printed on both sides and sewn together with pamphlet stitch. Held in card sleeve with title handritten on the spine.
PUBLIC COLLECTIONS
Glasgow School of Art Library. London Guildhall University. Plymouth University Library. London University College Library.
1994. 11 x 16.5 cm
Etching and drypoint on Arches with coloured cotton threaded continuously through the double spreads creating pop-up linear designs which pull taut when the pages are opened. The five double sheets are printed on both sides and sewn together with pamphlet stitch. Held in card sleeve with title handritten on the spine.
PUBLIC COLLECTIONS
Glasgow School of Art Library. London Guildhall University. Plymouth University Library. London University College Library.
1995. 11 x 16.5 cm
Stencil-cut text printed both sides of Arches coloured with oil-based inks and embossed from a grid. Coloured cotton threaded through the double spreads creating pop-up linear designs which pull taut as pages are opened. The five double sheets are sewn together with pamphlet stitch and held in card sleeve with text handwritten on spine.
PUBLIC COLLECTIONS
Glasgow School of Art Library. Plymouth University Library. Fruitmarket Library, Edinburgh. National Art Library, Victoria & Albert Museum.
